Marqueteries virtuoses au XIXe siècle, Brevets d’inventions (book)

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Virtuoso marquetry in the 19th century, Patents of inventions (book) by Marc Maison and with the collaboration of Emmanuelle Arnauld. Faton Editions. French version. 2012. Brand new and in blister pack – Softcover. Comme toutes les recherches qui ont été faites jusqu’à ce jour dans ce genre d’industrie sont restées infructueuses et que j’ai le premier fait cette découvert qui offrira de si grands avantages au commerce de luxe, je viens, Monsieur le Ministre, réclamer la priorité pour ce nouveau genre d’incrustation. » Julien-Nicolas Rivart, brevet d’invention du 18 septembre 1849 L’histoire du mobilier au Second Empire ne peut se séparer de l’innovation technique : la période regorge d’inventions dans des domaines aussi divers que le sciage, le placage, la construction des meubles.

For the first time, the authors focus on studying this history from a new angle: that of patents. Indeed, while much research has been undertaken on the history of the concept of industrial property, patents themselves had not previously been the subject of in-depth study regarding their relationship to the decorative arts.

Among the large number of patents filed between 1840 and 1880, five manufacturers focused particularly on transforming ornamentation methods.
– Rivart, in 1849, with porcelain marquetry;
– Cremer in 1850, who used electroplating to create Boulle furniture with more durable veneer;
– Fourdinois, in 1864, combined sculpture and marquetry for the relief veneer of his pieces;
– Duvinage in 1874, revitalized the use of ivory by creating cloisonné mosaics.
– Kayser Sohn. The turn of the 20th century was not without its innovations, as evidenced by Kayser Sohn’s inlays, which again employed electroplating.

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